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ONE:Under the cool shade of evening, the softening[Pg 44] touch of twilight, all this sculptured magnificence assumes an air of supreme grandeur, and calls up a world of legends and beliefs till the temples seem to recede, fading into the vapour of the blue night.For another minute the sublime ice-peak remained visible through the gauzy whiteness, and then a cloud rising from beyond the range descended on the heights and gradually enfolded the whole chain. TWO:Off next morning to the Khyber Pass. The road lay across the vast monotonous plain, richly productive all the way from Peshawur to the foot of the hills. At one end of a field some men had spread a net and were beating the field towards the corners with a heavy rope that broke down the tall oats; before long the birds were seen struggling under the meshes, but they were soon caught and carried away in cages.THREE:Further on, in the temple stables, open to the sky and surrounded by a colonnade of carved and painted pillars, some women, in silken sarees of dark hues, were waiting on the bulls and the tiny zebu cows, feeding them with the flower offerings strewn on the mosaic pavement of the courtyard.
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FORE:In the twilight of the great galleries the gods are assembled in groups, standing or sitting, rigid or contorted into epileptic attitudes, and thin bodies of human aspect end in legs or arms resembling serpents or huge fins, rather than natural limbs: Kali, the eight-armed goddess, leaping in the midst of daggers, performing a straddling dance while she holds up a tiny corpse on the point of the short sword she brandishes; impassible Sivas wearing a tall mitre; Krishna playing the flute to the thousand virgins who are in love with him, and who fade into perspective on the panel. And every divinity has eyes of jade, or of white plaster, hideously visible against the pale grey stone softly polished by time.

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THREE:Here in southern India the women wear hardly any trinkets, and their garb consists of sarongs and sarees, so thin that their shape is visible through the light stuff. In their hair, which is knotted low on the neck, they stick flowers, and occasionally light trailing sprays fall down on the throat. They all have gold studs screwed into the two upper front teeth; hideous are these two red-gold teeth among the others, sound and white under young lips!

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TWO:
WEB DESIGN
THREE:And this morning I had seen in the place of Akbar or Jehangir, a sturdy, blowsy soldier, in his red coatee, his feet raised higher than his head, spread out in his wicker deck-chair, and reading the latest news just brought by the mail from Europe.The walls are covered with bas-reliefs carved in the rock, the roof adorned with architraves of stone in infinite repetition of the same designs. The stone is grey, varied here and there with broad, black stains, and in other spots yellowish, with pale gold lights. Some of the sculpture remains still intact. The marriage of Siva and Parvati; the bride very timid, very fragile, leaning on the arm of the gigantic god, whose great height is crowned with a monumental tiara. Trimurti, a divinity with three faces, calm, smiling, and fiercethe symbol of Siva, the creator, the god of mercy, and of wrath. In a shadowed corner an elephant's head stands outGanesa, the god of wisdom, in the midst of a circle of graceful, slender, life-like figures of women. Quite at the end of the hall, two caryatides, tall and elegant, suggest lilies turned to women. In the inner sanctuary, a small edifice, with thick stone walls pierced with tiny windows that admit but a dim light, stands the lingam, a cylinder of stone crowned with scarlet flowers that look like flames in the doubtful light; and in deeper darkness,[Pg 22] under a stone canopy, another such idol, hardly visible. The Brahman priests are constantly engaged in daubing all the statues of these divinities with fresh crimson paint, and the votaries of Siva have a spot of the same colour in the middle of the forehead. Two lions, rigid in a hieratic attitude, keep guard over the entrance to a second temple, a good deal smaller and open to the air, beyond a courtyard, and screened with an awning of creepers.

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FORE:A golden mass, an enormous shrine chased all over and starred with tapers, now came forward, borne by a score of naked men. Against the gold background, in a perfect glory of diamonds and pearls, sat Vishnu, decked out with flowers and jewels, his head bare with a huge brilliant in his forehead.At the station pilgrims again, bewildered, shouting, rushing about in search of their lost luggage. One group presently emerged from the crowd, led by a man bareheaded, who rang a big bell with great gesticulations, his arms in the air, and the whole party marched off towards the temples in silent and orderly procession.
THREE:Outside the town of Delhi a road bordered by great trees leads across the white plain, all strewn with temples and tombs, to Khoutab, the ancient capital of the Mogulsa dead city, where the ruins still standing in many places speak of a past of unimaginable splendour. There is a colossal tower of red masonry that springs from the soil with no basement; it is reeded from top to bottom, gradually growing thinner as it rises, with fillets of letters in relief, and balconies on brackets as light as ribbands alternating to the top. It is an enormous mass of red stone, which the ages have scarcely discoloured,[Pg 219] and was built by Khoutab-Oudeen Eibek to commemorate his victory over the Sultan Pithri-Raj, the triumph of Islam over Brahminism.
THREE:Another mausoleum is of lace-like carving in marble, the roof painted with Persian ornament; and the whole thing is uninjured, as fresh as if it had been wrought yesterday, under the broad shade of theobromas and cedars that have grown up among the ruins.A poor old fellow, behind a grating that shut him into a kind of hovel, called out to us, first beseeching and then threatening, rushing frantically to the back of his hut and at once coming forward again with fresh abuse. He was a dangerous madman, placed there to keep him out of mischief and to be cured by the Divinity.

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DEHRA DOONBy the roadside came two figures tottering along, and then, turning to look at me, showed me the horror of their shrivelled bodies, their dimmed eyesall that seemed alive in those drawn faces of skin and bonethe jaw stiffened in a skull-like grimace; victims of the famine, who had come from the Central Provinces where there had been no rain for two years, and where everything was dying. This couple were making their way to a poorhouse hard by. They had come from a village in Bundelkund, whence all the inhabitants had fledthemselves the sole survivors of a family of eighteen souls. First the children died, then the very old folks. These two had kept themselves alive on what had been given them on the way, but immigrants soon were too many in the districts unvisited by famine, and ere long they could get nothing; then they fed on roots, on what they[Pg 191] could steal from fields or garden-plots, or found left to rot, scorned even by the beasts.At our feet lay old Gwalior, sacked again and again, and as often rebuilt out of its own ruins;[Pg 202] and now the princely residences, all of marble wrought in almost transparent lacework, serve to shelter wandering cattle.They were all flying from the plague, which was spreading, and emptying the bazaars and workshops. The Exchange being closed, trade was at a standstill, and the poor creatures who were spared by the pestilence were in danger of dying of hunger.
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